Note: As part of NPR's series on the summer of 1963, reporter Cory Turner headed to Jackson, Miss. to take a look at how folks are teaching the Civil Rights movement to kids who weren't a part of it — and making the lessons stick.
Much has changed in the past 50 years, since the height of the Civil Rights movement. But how do you teach the Civil Rights to kids who haven't ever experienced it? In Jackson, Miss., Fannie Lou Hamer Institute's Summer Youth Workshop tackles that question.
Does cast-iron skillet cornbread, hot and crispy from the oven, transport you back to your grandma's kitchen? Do you cook with certain ingredients as a link to your roots in the South? If so, "A Spoken Dish" wants to hear your story.
The Southern Foodways Alliance is teaming up with Whole Foods Market and Georgia Organics in this video storytelling project as a way to celebrate and document food memories and rituals of the American South.
Originally published on Mon December 23, 2013 5:27 pm
12 min 10 sec
Just southeast of the Virginia Commonwealth University campus in Richmond, Va., lies a compact neighborhood called Oregon Hill. Historically, it's been a (white) working-class part of town, affordable for students and various bohemian types. Recording engineer Lance Koehler was drawn to the place when he moved to Richmond from New Orleans; it's where he eventually found a two-story garage and converted it into his own recording studio and home. It didn't take him long to start doing business across the Richmond music map: Koehler is good at his job, and he's affordable.
Garrett McCutchan is a multi-instrumentalist and world traveler. His material is contained in a binder of yellowed, coffee-stained pages. And it's the music in the background at one of Baton Rouge's hidden lunch spots.
LL Cool J has been making music for more than 25 years. Through it all, he says, he's tried his best to remain authentic.
"The last thing that I want to do is be a hack," says the rapper and actor, born James Todd Smith. "Someone who is adapting to whatever the current trend is, and manipulating the public into being on board with me even though, from an artistic standpoint, I'm not doing anything."
And this final note on the blues. Two years ago on this show, we profiled Gip's Place, a real juke joint nestled in a residential neighborhood in Bessemer, Alabama.
UNIDENTIFIED MAN #1: It's not like going to a bar. It's not like going to a club. It's like going to your best friend's house and putting on just the newest record and sitting there and enjoying it together. Literally, there is truly a mix between the musicians and the audience.
UNIDENTIFIED MAN #2: Welcome again. Y'all ready to get started?
It's been more than eight decades since Show Boat -- the seminal masterpiece of the American musical theater — premiered on a stage in Washington, D.C. Now the sprawling classic is back, in a lush production put on by the Washington National Opera.
Natalie Maines is a small woman with a really big voice. Flanked by Emily Robison on banjo and Martie McGuire on fiddle, Maines powered the Dixie Chicks to some 30 million records sold. And then came the collapse — after what the band calls "the incident."
On cable TV, there's a whole truckload of reality shows that make fun of working-class, white Southern culture. They are some of the most popular and talked about new shows, too, such as Here Comes Honey Boo Boo and Duck Dynasty.
MTV tried cashing in on the redneck TV trend with its own hyped-up platform for young Southern kids behaving badly, Buckwild. It played like a Southern-fried version of Jersey Shore. Its stars were a dimwitted crew of young people in West Virginia drinking hard and riding pickup trucks through ditches filled with mud.