Originally published on Wed March 26, 2014 9:39 am
Thou has never been about convention. The Baton Rouge metal band has little in common with its NOLA sludge peers, bucking Southern tropes for a world-heavy consciousness that comes from doom, punk, grunge, black metal, blues and drone.
Jazz violinist Regina Carter grew up in Detroit, but as a child she spent summers in Alabama, where her paternal grandmother lived. Her grandfather died before she was born, and recently she began researching his side of the family. One revelation that sparked her interest: Her dad's dad had been a coal miner.
Originally published on Thu February 27, 2014 12:24 pm
Are you streaming music right now? If you're in America's Pacific region, there's a much better chance you're nodding along with Cat Power rather than grooving to Fantasia, which you'd be more likely to be doing if you were across the country in the South Atlantic. Those observations come from a map titled "Regionalisms in U.S. Listening Preferences."
Originally published on Wed February 26, 2014 10:02 am
The history of doughnuts is intrinsically linked to the celebration of Mardi Gras. "Fat Tuesday" — the Christian day of revelry and indulgence before the austere season of Lent — features dough deep-fried in fat as its main staple.
Originally published on Wed February 26, 2014 9:40 am
Almost one year to the day since Benedict XVI stepped down as spiritual leader of the world's 1.2 billion Roman Catholics, the former pope has issued his first public comment on recurring rumors in the Italian media that he didn't resign of his own will.
It wasn't an easy road to the Tiny Desk for the four guys from Louisiana who make up Brass Bed. Their tour, for the band's debut album The Secret Will Keep You, was plagued from the start: Singer Christiaan Mader had the flu, there was a death in the family and multiple dates had to be canceled. Their van was broken into and their instruments stolen. So when they heard that a big snowstorm was headed for D.C. at the same time they were to play the Tiny Desk, it felt like yet another bad omen.
A lot of people believe 12 Years A Slave is the best film yet made about slavery in the United States. That doesn't make it easy to watch.
It also wasn't easy to edit.
"Editing is like a massive, 5,000-piece jigsaw puzzle," says director Steve McQueen. He's just arrived from Europe and is relaxing in a suite in a swanky West Hollywood hotel with the film's editor, Joe Walker.