David Letterman says he will retire next year. He'll leave "The Late Show" as the longest-serving late night host in network television history, even longer than Johnny Carson when you add up Letterman's time at CBS and NBC before that. NPR TV critic Eric Deggans says Letterman reshaped late night TV and succeeded as an edgy outsider more interested in making fun of show business than participating in it.
The Supreme Court denied a stay of execution for convicted Texas killer Tommy Lynn Sells on Thursday.
As we've reported, Sells' attorneys have been arguing that he should not be executed before the state reveals the source of its execution drugs. A lower court agreed with Sells and then the U.S.Court of Appeals for the Fifth Circuit said his execution should proceed.
David Letterman, the longest-serving late night television host, is retiring.
(SOUNDBITE OF SHOW, 'LATE NIGHT WITH DAVID LETTERMAN')
DAVID LETTERMAN: Sometime in the not-so-distant future, 2015 for the love of God, in fact, Paul and I will be wrapping things up and taking a hike.
SIEGEL: Letterman, who is 66, told the audience today during a taping of his late show program which will air tonight. Here to talk about David Letterman is NPR TV critic Eric Deggans. And Eric, why has Letterman decided to retire now?
With the Army's disclosure that Army Spc. Ivan Lopez was being evaluated for post-traumatic stress disorder before he went on a shooting rampage Wednesday, there were once again questions about whether the Army could have prevented the violence at Fort Hood.
Saving for retirement is a challenge facing most Americans. Research shows the challenge is made harder by our basic human impulses. We know we should be saving. But we don't. We consistently make bad financial decisions.
One thing that leads us astray is what behavioral economists call "loss aversion." In other words, we hate losing. And that gets in the way of us winning — if winning is making smart financial decisions.
Why do love and war go so well together in novels? It isn't only because they're both naturally dramatic themes. Sometimes, in fact, each is so big and overwhelming that they can seem beyond the grasp of words. And so a writer who tries to show the struggle of two people with deep feelings for each other, "set against a backdrop of violence" (as a novel's flap copy might read), can just seem like he's overreaching. But Dinaw Mengestu uses love and war to powerfully explore a third, equally dramatic theme: identity.