Fresh Air

Monday through Thursday at 12pm and 9pm
  • Hosted by Terry Gross

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. 

Read and listen to the latest programs here.

David Litt was 24 years old and just a few years out of college when he landed a job writing speeches for President Barack Obama — an experience he calls "surreal and completely terrifying."

Though he was initially assigned the speeches no one else wanted to write, Litt eventually became a special assistant to the president and senior presidential speechwriter. His duties included writing jokes for the short comedy routine Obama performed annually at the White House Correspondents' Association Dinners.

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TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

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DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

When filmmakers Ken Burns and Lynn Novick began research for a 10-part PBS documentary on the Vietnam War, they thought they knew the material. After all, Burns was of draft age in 1970, though his draft number was too high for him to be called to serve.

But as they began interviewing subjects and sorting through archival footage, Burns and Novick soon came to appreciate just how complicated the war was. "We went in, both of us, with this kind of arrogance about it, and immediately had that blown out of the water," Burns says. "We realized we knew nothing."

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TERRY GROSS, HOST:

Fall is when the publishing industry gets serious, when it leaves beach books in the sand and turns to weightier topics. And what could be weightier than the greatest question of all: the meaning of life. Two new books — one a novel; one a (sort of) memoir — tackle that ultimate question through experimental forms of writing.

I know, I know: "Experimental writing" is surely one of the least enticing literary terms. But don't be put off, because both of these odd new books offer something special, something that more "broken in" forms of writing can't provide.

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